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Gold Watch

A 50-Year Retrospective  ·  Nippon Kan Theatre, Seattle  ·  1977–2027

The Background

In 1977, a small theater collective in Seattle's Chinatown–International District staged a play that few would forget. Gold Watch, written by Momoko Iko and directed by Garrett Kaoru Hongo, was the founding production of the Asian Exclusion Act (AEA) — the collective that would become Northwest Asian American Theatre. One of the earliest Asian American plays produced on a Seattle stage, it told the story of a Japanese American family facing forced removal in the months after Pearl Harbor.

Fifty years later, the original cast and creative team are coming back together.

One of the first plays to break the silence on Japanese American incarceration

Set in Eastern Washington's Yakima Valley, Gold Watch centers on Masu Murakami — an immigrant farmer who built a life from the land, only to watch it threatened by rising fear and government-ordered incarceration. Playwright Momoko Iko (1940–2020), born in Wapato and herself incarcerated at Heart Mountain at age two, drew directly from her community's experience. Thought to be the first play written by an Asian American woman produced in the continental United States, it is one of the first dramas to realistically examine the trauma of Executive Order 9066. The play was both a mirror and a memorial.

Its significance reaches well beyond the stage. When excerpted in Aiiieeeee!: An Anthology of Asian-American Writers (1974), it helped define the sensibilities of a generation of Asian American writing — and aired nationally on PBS in 1976, bringing these hidden histories into living rooms across the country. Fifty years on, as questions of forced removal and the treatment of immigrant communities resurface in American life, the story Momoko Iko told feels urgently unfinished.

Original program cover for Gold Watch, 1977. The Asian Exclusion Act of the Asian Multi-Media Center Presents Gold Watch, Written by Momoko Iko, Directed by Garrett Kaoru Hongo.
Original Program · Asian Exclusion Act · 1977

Film negatives by Steve Suzuki — original publicity photographs from the 1977 production of Gold Watch, previously unseen until 2026. Additional photographs courtesy of the Goto family.

A young girl in a grey coat laughs while perched atop wooden apple crates, as an adult woman looks up at her warmly. Gold Watch, 1977. Photo by Steve Suzuki.
Two cast members embrace and laugh in front of a weathered wooden barn door. Gold Watch, 1977. Photo by Steve Suzuki.
Two men in conversation seated against a wall of wooden apple crates, one holding a straw hat. Gold Watch, 1977. Photo by Steve Suzuki.
A man in a plaid jacket and straw hat sits alone on the steps of a weathered farmhouse, hands clasped, gazing into the distance. Gold Watch, 1977. Photo by Steve Suzuki.
Kelly Goto as Chieko — a young girl with a bowl cut in a grey coat and white knee socks, smiling outdoors. Gold Watch, 1977. Photo by Steve Suzuki.

Stephen Sumida, Bea Kiyohara, Ken Narasaki, and Kelly Goto — in character as the Murakami family — photographed on location outside Seattle by Steve Suzuki, 1977. These images remained unseen for nearly fifty years.

Why This Matters

Seattle Theater History

The AEA's production of Gold Watch was the founding act of what became Northwest Asian American Theatre — one of the most significant Asian American theater companies in the country, and a cornerstone of Seattle's Chinatown–International District cultural community.

Asian American Arts

At a time when Asian American stories were virtually absent from American stages, this production gave voice to a hidden history and launched careers that would go on to shape Asian American theater, literature, film, scholarship, and civic life across the Pacific Northwest and beyond.

Washington State Legacy

The Japanese American farming communities of Eastern Washington — the Yakima Valley, the Columbia Basin — are central to the history of this state. Gold Watch honors that legacy and asks what it means to remember honestly, at a moment when the questions it raised feel newly urgent.

The original cast & crew. Reunited at the historic Nippon Kan Theatre.

Date & Time

3:00 – 5:00 PM

Venue

Nippon Kan Theatre

Historic Japanese American venue · International District, Seattle

The Documentary

The evening includes a showing of a new documentary — created and directed by Derek Edamura, produced by Kelly Goto — tracing the story of the production, its people, and its enduring significance.

Currently Confirmed in Attendance

  • Garrett Hongo, Director · Poet & Professor
  • Frank Abe, Stage Manager · Filmmaker & Activist
  • Bea Kiyohara, Kimiko · Educator & Cultural Advocate
  • Stephen Sumida, Masu · Scholar, University of Washington
  • Ken Narasaki, Tadao · Playwright & Actor
  • Amy Hill, Setsuko · Actor & Arts Advocate
  • Vicki Toyohara, Townsperson · Jurist & Community Leader
  • Judi Nihei, Townsperson · Director & Writer
  • Kelly Goto, Chieko · Author & Entrepreneur
In Production · 2025–2027

The Documentary

We are currently in production on a documentary that follows this story — the play, the people, and why it matters now. We're documenting archival discoveries, conversations with the original cast and crew, and the road to May 2027. Follow along as the story unfolds.

Watch this story unfold

Archival discoveries, conversations, and the road to May 2027 — documented in real time on Instagram.

Follow on Instagram

Press, sponsorship & event inquiries

For media inquiries, sponsorship opportunities, or event partnerships, please reach out directly.

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